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Seven Days in the Art World.



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Sarah L. Thornton (born 1965) is a writer, ethnographer and sociologist of culture.[1] Thornton has authored three books and many articles about artists, the art market, technology and design, the history of music technology, dance clubs, raves, cultural hierarchies, subcultures,[2] and ethnographic research methods.


Thornton was born in Canada. She MSLVRS Télécharger Seven Days in the Art World. PDF gratuitement lived in London, England, for 25 years. She now resides in San Francisco, CA.


Her education comprises a BA in the History of Art from Concordia University, Montreal, and a PhD in the Sociology of Culture from Strathclyde University, Glasgow.[3]


Her academic posts have included a full-time lecturership at the MSLVRS Télécharger Seven Days in the Art World. PDF gratuitement University of Sussex, and a period as Visiting Research Fellow at Goldsmiths, University of London.


She worked as a brand planner in a London advertising agency.[4] She was the chief writer about contemporary art for The Economist.[5] She has also written for publications including The Sunday Times Magazine,[6] The Art MSLVRS Télécharger Seven Days in the Art World. PDF gratuitement Newspaper,[7] Artforum.com,[8] The New Yorker,[9] The Telegraph,[10] The Guardian,[11] and
The New Statesman.[12]


In Club Cultures: Music, Media, and Subcultural Capital (1995), Thornton examines the shift from live to recorded music for public dancing (from record shops to raves) and the resistance to recording technology's enculturation of the "authentic," valued MSLVRS Télécharger Seven Days in the Art World. PDF gratuitement cultural form. The book also analyzes the dynamics of "hipness," critiquing Pierre Bourdieu's theory of cultural capital with her own formulation of "subcultural capital." The study responds to earlier works such as Dick Hebdige's 1979 book Subculture: The Meaning of Style. It does not see media as a reflection of MSLVRS Télécharger Seven Days in the Art World. PDF gratuitement social groups, but as integral to their formation.[13]


Contrary to youth subcultural ideologies, "subcultures" do not germinate from a seed and grow by force of their own energy into mysterious ‘movements’ only to be belatedly digested by the media. Rather, media and other culture industries are there and effective right MSLVRS Télécharger Seven Days in the Art World. PDF gratuitement from the start. They are central to the process of subcultural formation.[13]


The book is described by Stuart Hall and
Tony Jefferson as "theoretically innovative" and "conceptually adventurous".[14]


The New York Times' Karen Rosenberg said that Seven Days in the Art World (2008) "was reported and written in a heated MSLVRS Télécharger Seven Days in the Art World. PDF gratuitement market, but it is poised to endure as a work of sociology...[Thornton] pushes her well-chosen subjects to explore the questions ‘What is an artist?’ and ‘What makes a work of art great?’"[15]


In the UK, Ben Lewis wrote in The Sunday Times that Seven Days was "a Robert Altmanesque panorama MSLVRS Télécharger Seven Days in the Art World. PDF gratuitement of...the most important cultural phenomenon of the last ten years".[16] While Peter Aspden argued in the Financial Times that "[Thornton] does well to resist the temptation to draw any glib, overarching conclusions. There is more than enough in her rigorous, precise reportage… for the reader to make his or her MSLVRS Télécharger Seven Days in the Art World. PDF gratuitement own connections."[17]


András Szántó reviewed Seven Days in the Art World: "Underneath [the book's] glossy surface lurks a sociologist's concern for institutional narratives as well as the ethnographer's conviction that
entire social structures can be apprehended in seemingly frivolous patterns of speech or dress."[18]


Thornton's book 33 Artists in 3 MSLVRS Télécharger Seven Days in the Art World. PDF gratuitement Acts (2014) looks at the lives and work of figures "from all over the art ecosystem, from the market-driven mogul (Jeff Koons) to the profoundly intellectual performance artist (UCLA professor Andrea Fraser) to the impish prankster (Italian conceptual artist Maurizio Cattelan.)"[19] The central question guiding the book is: What defines MSLVRS Télécharger Seven Days in the Art World. PDF gratuitement an artist in the 21st century? Thornton received "a range of answers that will startle even art-world insiders."[20] Jackie Wull


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